Vol. 27 (2025): De-coïncidence in Art: A Challenge or a Solution?

View Vol. 27 (2025): De-coïncidence in Art: A Challenge or a Solution?

VOLUME EDITORS: Aneta Pawłowska, Paulina Sztabińska-Kałowska

Published: 2025-12-17

Full Issue

Part I. Theoretical Frameworks - ARTICLES

  • Art and de-coincidence: an introduction

    François Jullien
    13-28
    DOI: https://doi.org/10.26485/AI/2025/27/1

  • “Plastic Arts” or “Visual Arts”? Imaginary de-coincidence and imitation in Polish art discourse after 1989

    Łukasz Białkowski
    29-41
    DOI: https://doi.org/10.26485/AI/2025/27/2

  • Crisis and Creativity: Selected Examples of Theoretical Approaches

    Agnieszka Kuczyńska, Krzysztof Cichoń
    43-65
    DOI: https://doi.org/10.26485/AI/2025/27/3

  • Transcendentalism of Art in the Conceptions of Wilhelm Worringer and Theodor W. Adorno

    Magdalena Anna Długosz, Rafał Czekaj
    67-77
    DOI: https://doi.org/10.26485/AI/2025/27/4

Part II. International and Comparative Contexts - ARTICLES

  • The Concept of the “Flashing Ideal World”: The Experience of Ancient China for Today

    Yulia Ivashko, Wu Yueling
    81-99
    DOI: https://doi.org/10.26485/AI/2025/27/5

  • Return to National Origins in Contemporary Chinese Art and Design

    Pavol Tišliar, Zeqian Wang, Shiru Wang
    101-119
    DOI: https://doi.org/10.26485/AI/2025/27/6

  • ‘DÉ-COÏNCIDING’ Igbo Masquerade Aesthetics: Rethinking Ecological Sustainability in Southeast Nigeria

    Princewill Chukwuma Abakporo Abakporo
    121-142
    DOI: https://doi.org/10.26485/AI/2025/27/7

  • The Aesthetics of Transience in Japanese Culture: Wabi-sabi, Impermanence, and the Philosophy of Décoïncidence

    Justyna Pilarska
    143-166
    DOI: https://doi.org/10.26485/AI/2025/27/8

  • Appeal to Folk Traditions of Ornamentation in the Petrykivka Painting of the 20th Century

    Oleksandr Kashchenko, Valerii Tovbych
    167-181
    DOI: https://doi.org/10.26485/AI/2025/27/9

Part III. Case Studies - ARTICLES

  • Hugo Ball and the “Poems without Words”: On the Birth of Dadaist Art from the Spirit of Dissonance

    Magdalena Krasińska
    185-218
    DOI: https://doi.org/10.26485/AI/2025/27/10

  • De-coincidence in Poetry. Analysis of the Poem "The Pure No (El puro no)" by Oliverio Girondo

    Anna Wendorff
    219-230
    DOI: https://doi.org/10.26485/AI/2025/27/11

  • Semiotic Dissonance of Medieval Architectural Sculpture. A Case Study on the Example of the Sculptural Ensemble of the Nave Corpus of the Collegiate Church in Sandomierz

    Olga Tuszyńska-Szczepaniak
    231-254
    DOI: https://doi.org/10.26485/AI/2025/27/12

  • (De)Stabilisation of Architecture

    Julia Sowińska-Heim
    255-265
    DOI: https://doi.org/10.26485/AI/2025/27/13

  • Between Utopia and Prototype: Idea of Change in the Work of Katarzyna Kobro and Władysław Strzemiński

    Jarosław Suchan
    267-288
    DOI: https://doi.org/10.26485/AI/2025/27/14

  • Intimacy of Experience of Being Innovative Deaf Artist – The Case of American Deaf Art

    Agnieszka Kołodziejczak
    289-311
    DOI: https://doi.org/10.26485/AI/2025/27/15

  • (Not Only) Family Albums

    Ewa Szkudlarek
    313-327
    DOI: https://doi.org/10.26485/AI/2025/27/16

  • Art as an Existential Means of Perception and Experience of the Tragedy of War

    Aneta Pawłowska, Andrii Dmytrenko, Oleksandr Ivashko , Tetyana Yevdokimova
    329-348
    DOI: https://doi.org/10.26485/AI/2025/27/17

  • Towards the Phenomenology of Musical Performance

    Andrzej Krawiec
    349-367
    DOI: https://doi.org/10.26485/AI/2025/27/18

Part IV. Reflections and Future Visions - ARTICLES

  • The Art of Post-anthropocentrism: Concepts, Challenges, Dilemmas

    Ryszard W. Kluszczyński
    371-396
    DOI: https://doi.org/10.26485/AI/2025/27/19

  • Artificial Intelligence, Glitch, and the Unmaking of Identity in the Art of Mario Klingemann

    Magdalena Górska
    397-408
    DOI: https://doi.org/10.26485/AI/2025/27/20

  • Artistic Intervention for Ecology

    Sidey Myoo
    409-422
    DOI: https://doi.org/10.26485/AI/2025/27/21

  • About the Difficult Relationship Between the Polish Idea and the Polish Ethos in Contemporary Art. Marginalized Transcendentals, Critical De-coincidence, Intensive Dialogue, and Affirmative ‘Renewal’

    Rafał Solewski
    423-435
    DOI: https://doi.org/10.26485/AI/2025/27/22