Appeal to Folk Traditions of Ornamentation in the Petrykivka Painting of the 20th Century
DOI:
https://doi.org/10.26485/AI/2025/27/9Keywords:
folk traditions, ornamentation, Petrykivka painting, Pelaheia Hlushchenko, François Jullien, dé-coïncidenceAbstract
The study analyzes the unique phenomenon of one of the varieties of Petrykivka painting – paintings on paper, based on continuity with folk traditions of wall painting and ornamentation. Versions regarding the origin of Petrykivka painting are analyzed, using the example of the works of the master Pelageia Hlushchenko, and the techniques of using paintings and materials are described. The concept of the “ideal natural world“ in flower compositions is characterized. Petrykivka painting is inherently connected with folk traditions of paintings based on the convention of images and specific techniques of execution. The original appearance of such compositions is due to the use of egg tempera, which gives the effect of transparency of colours, homemade tools and techniques of the four basic strokes.
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