Art and de-coincidence: an introduction
DOI:
https://doi.org/10.26485/AI/2025/27/1Keywords:
art, de-coincidence, difference-de-coincidence, coincidence, rediscovery of possibilitiesAbstract
The subject of this text is the relationship between art and de-coincidence understood as arts operandi that promotes innovation, creativity and the rediscovery of possibilities. This issue is examined against the backdrop of a comprehensive analysis of philosophical discourse, especially positions expressing a departure from the philosophy of being and the relationships/differences between the category of difference in the works of Deleuze, Derrida and Foucault and the cat-egory of de-coincidence introduced by Jullien. In order to familiarise the reader with the concept of decoincidence, the author cites a number of examples of the de-coincidental in art, such as the emergence of impressionism, which can be understood as the discovery of new possibilities in painting, or the construction of the Eiffel Tower as an example of a processual transition from coincidence in architecture and the model of ‘beauty’ to de-coincidence. This narrative develops the main thesis, which emphasises the liberating significance of the de-coincidence attitude in art, which, through enlightenment, enables the discovery of new possibilities and promotes awareness of the enslaving significance of coincidence, which reassures the subject in the reproduction of established forms and meanings.
References
Jullien François (2017) De l’inouï, l’autre nom de ce si lassent réel, Paris: Grasset.
Jullien François (2018) Dé-coïncidence, d’où viennent l’art et l’existence, Paris: Grasset.
Jullien François (2020) Dé-coïncidence, d’où viennent l’art et l’existence, Paris: “Livre de Poche” edition.
Jullien François (2023a) Rouvrir des possibles, Paris: Éditions de l’Observatoire.
Jullien François (2023b) Raviver de l’esprit, un diagnostic du contemporain, Paris: Éditions de l’Observatoire.
L’Yvonnet François, Guillaume Marc, eds. (2023) Pratiques de la dé-coïncidences, Paris: Éditions de l’Observatoire.
