Crisis and Creativity: Selected Examples of Theoretical Approaches

Authors

DOI:

https://doi.org/10.26485/AI/2025/27/3

Keywords:

crisis, kairos, kairotic leap, de-coincidence, positive disintegration

Abstract

François Jullien returns to the understanding of artistic creativity as a situation of existential crisis. We propose a comparison of the concept of de-coincidence with other notions linking crisis with artistic creativity. In traditional terminology, the notion of crisis was expressed through the category of decisive moment describing an intense change (kairos). The kairotic leap appears to be a term that still aptly describes the situation of cognitive disorientation accompanying creation, the brief loss of personal identity and the complete transfer of attention to the artwork. A more recent approach is the psychological theory of positive disintegration proposed by Kazimierz Dąbrowski in the early 1960s. The article attempts to compare various ways of conceptualizing creativity as a crisis based on selected examples.

Author Biographies

Agnieszka Kuczyńska, Institute of Arts Studies, Faculty of Humanities The John Paul II Catholic University of Lublin

PhD, works at the Catholic University of Lublin. Current interests: existential semiotics and cultural psychology, artists’ books, post-war surrealism.
Selected bibliography:
1. Agnieszka Kuczyńska (2025) Dark Emotions. Translating Beckett into Visuality. The Case of Zbigniew Makowski, in: Translating Human Inner Life In and Between the Arts, ed. Małgorzata Gamrat, Bloomsbury, pp. 215-230.
2. Agnieszka Kuczyńska (2024) Książka surrealistyczna w Polsce: Zbigniew Makowski i Erna Rosenstein, in: Surrealizm. Inne mity, catalogue of an exhibition at the National Museum in Warsaw (May 10-August 11, 2024), National Museum in Warsaw, pp. 74-97.

Krzysztof Cichoń, Institute of History of Art, Faculty of Philosophy and History University of Lodz

PhD; education: 1985-9: Art History at the Catholic University of Lublin; 2000: PhD at the Academy of Fine Arts in Lviv. Works at the University of Lodz. Current interests: visual culture, iconic traditions in modern art.
Selected bibliography:
1. Krzysztof Cichoń (2022) Lebenstein. Mały leksykon archetypów, Warszawa: Instytut Wydawniczy “Książka i Prasa”.
2. Krzysztof Cichoń (2024) Żywioł sztuki, in: Ars inspiratio. Studia dedykowane profesor
Eleonorze Jedlińskiej, ed. Aneta Pawłowska, Krzysztof Stefański, Magdalena Milerowska, Łódź: Wydawnictwo Uniwersytetu Łódzkiego, pp. 489-501.
3. Krzysztof Cichoń (2025) Rzeczywistość snu: Hypnerotomachia Poliphili i Zbigniew Makowski, “Roczniki Humanistyczne”, vol. 73, no. 4, pp. 149-170.

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Published

2025-12-17

Issue

Section

Part I. Theoretical Frameworks - ARTICLES